Every once in a while I get bored and peruse the Internet for new music. One such boredom spell hit me this week and I noticed that a shiny new cast album had just recently been released. Of course, I had to give it a listen! This was an extra exciting endeavor since it is the first truly new musical I am listening to for this blog.
I vaguely remember the movie Calendar Girls being released back in 2003. The trailer has left me with memories of a lot of flowers and older women without body shame, so all good things. Why not turn such a movie with such a happy-feeling trailer into a stage musical? I can’t think of a single reason.
Calendar Girls opened at the West End’s Phoenix Theatre on February 21, 2017, and closed that July. The music and lyrics were co-written by Tim Firth and Gary Barlow. It is based on the true story of a group of Yorkshire women who tastefully posed nude for a calendar in order to raise funds for a hospital. The musical’s sole cast album was released on March 9, 2018.
It’s been a busy week, so it actually took me two days to listen to the original London cast album. The music is largely piano driven and the voices are charming. The lyrics are probably the strongest thing about this recording. They are relentlessly encouraging and challenge those who would age gracefully to age daringly. The thing oozes positive vibes and then pairs them with simple melodies that I have been humming all day. If that’s not how a musical passes the test I don’t know what is. Even having never seen the movie, I was able to follow the story fairly well thanks to the amount of talking on the recording. There is quite a bit of it and it is helpful to a point, but a lot of these songs could stand on the their own without the extra context.
To be frank, the vocal performances are not extraordinary, but they’re also not pretending to be. The decision to give characters based on real people songs that real people can actually sing may have been unconscious, but it speaks volumes for both representation and accessibility. This is a musical that community theaters everywhere should be scrambling to produce.
The album’s greatest flaw is its length. It clocks in at an hour and a half. AN HOUR AND A HALF! Only the likes of Les Mis have any business being that long. A few moral quandaries and a photo shoot do not exactly require a story telling capacity to rival the French Revolution. Granted, the last few songs are demos added on as bonus tracks, but still. They could have been cut and the whole thing would have benefited.
That said, the amount of can-do attitude packed into that hour and a half cannot be overstated. There’s even a song comparing the grief of losing a spouse to climbing mountains and battling piranhas. The gist is that it’s a big deal, but you can get through it. That’s the resounding theme here; these ladies are ready for anything life throws at them. In short, they are pretty awesome.
This is not an album that I can see myself listening to again and again, but is something I am definitely going to dust off every so often. It’s got real heart and a happy energy that is often missing is modern life. Maybe I wouldn’t take my grandma to see the show, but I would play this with her in the car. It’s just an easy breezy cast album and there’s nothing wrong with that.
Musical: Calendar Girls
Music and Lyrics by Tim Firth and Gary Barlow
Opening Performance: February 21, 2017, Phoenix Theatre, London
Cast Album I Listened To: 2017 Original London Cast
Highlights: “Who Wants a Silent Night?,” “Sunflower,” “So I’ve Had a Little Work Done”
Overall Impression: The lyrics are wonderful and would definitely come in handy if I were facing a difficult time. The music itself is pretty and simple, which is a good thing in this case.