It is a very good thing that women are beginning to be given greater respect than they have in the past. Movements like #TimesUp and #MeToo have people discussing sexual assault and harassment in more ways and more often than ever before. It seems to be the never ending talk of every town, but in reality the conversation is still very new.
With all this buzz around sexual harassment and having just finished my entry on Hello, Dolly!, I thought it would be the perfect time to visit another Dolly.
Country music legend Dolly Parton wrote the music and lyrics to 9 to 5: The Musical, which follows three women dealing with their “sexist, egotistical, lying, hypocritical bigot” of a boss. It is based on the 1980 comedy film 9 to 5, which stars Parton along with Jane Fonda and Lily Tomlin. Parton’s musical version opened at the Marquis Theatre on Broadway on April 7, 2009. It was not a success and closed in September of the same year after only 148 regular performances. But now, in an era where everyone up to and including the President of the United States is finally being held responsible for their deplorable “boys’ club” behavior, we may be due for a revival.
There is only one cast album available for 9 to 5: The Musical. It opens with the sound of alarm clocks, which is surprisingly unsettling to this nine to fiver, even at 2 pm on a Saturday. Parton has written new lyrics to her classic hit “9 to 5,” leftover from the movie and used as the first song in the musical. It is a pretty good opening number and sets the scene for a workplace filled with typical anxieties.
And that’s it. That’s the only song I knew when I chose this musical. Actually, “9 to 5” and “Jolene” comprise my entire familiarity with Parton’s catalog (not counting a certain Whitney Houston cover). So this is exciting!
The original Broadway cast of 9 to 5 was composed of some surprisingly big names. Arguably the biggest of these is Allison Janney in the role of Violet. She is joined by Stephanie J. Block as Judy, Megan Hilty as Doralee, and Marc Kudisch as their boss, Mr. Hart. Just like the original movie, the stage musical focuses on Violet, Judy, and Doralee’s fantasy plots for revenge on Mr. Hart for his chronic sexist behavior. Each fantasy is, of course, given its own musical number. “The Dance of Death,” “Cowgirl’s Revenge,” and “Potion Notion” are all fun songs about murder, a startlingly common theme for show tunes. But even with these numbers, the music overall is safe and forgettable. There are no earworms in the score and certainly nothing screaming to be a modern pop hit.
That’s not to say the musical doesn’t have its better moments. Kudisch is downright creepy in his stellar portrayal of Mr. Hart which made me cringe (I mean “cringe” as a compliment to Kudisch). Hilty has her first solo number on “Backwoods Barbie,” which Parton herself also recorded for her album of the same name. Is Hilty doing a Dolly Parton impression throughout the show? Yes. Is it convincing? Yes. Do I love it despite wanting something fresh? Yes, absolutely. Another highlight is Janney’s performance of “One of the Boys,” in which she fantasizes about being a celebrated CEO. I also enjoyed the finale, which is gospel-tinged version of “9 to 5.”
Not inspiring me to dance and sing along is not the worst thing that could have happened to this musical. Thankfully, the story’s most sensitive subject matter is directly addressed on a few numbers. The best of these is “Shine Like the Sun.” Oh, sure, it sounds like the kind of song that middle school girls perform at talent shows, and it is! Because it has a lot more heart than the rest of Parton’s compositions. Had 9 to 5: The Musical premiered in the past year, “Shine Like the Sun” would be performed at the Tony Awards with a chorus of sexual assault survivors. As it is, the conversation had not yet happened and the 9 to 5 Tony performance was restricted to the already famous opening number. Another missed opportunity for the short-lived Broadway show.
9 to 5: The Musical‘s cast album was largely a disappointment. The songs are too safe and the vocal performances only adequate. Still, I think that a revival could do well with a few tweaks. I’m all for second chances and Parton deserves one here. The time has never been more right to try 9 to 5 again.
Musical: 9 to 5: The Musical
Music and Lyrics by Dolly Parton
Opening Performance: April 30, 2009, New York City
Cast Album I Listened To: 2009 Original Broadway Cast
Songs You Might Know: “9 to 5,” “Backwoods Barbie”
Highlights: “Backwoods Barbie,” “Shine Like the Sun,” “One of the Boys”
Overall Impression: The music is sometimes fun but always safe. If the show were to run today, I think it would be a much bigger hit.